The Dark Side of Transformational Leadership A critical perspective
Date
2013-03-13
Authors
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Journal ISSN
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Publisher
Routledge
Abstract
Elmer Gantry is a 1960s fi lm about a dedicated female evangelist, Sharon
Falconer, played by Jean Simmons, and the title character, played by Burt
Lancaster, who is a fast-talking travelling salesman. 1 Attending one of Falconer’s
events, he is attracted to her and even more to the realisation that money can be
made from what he sees as little more than a racket. A riveting performer, Gantry
buries his shady past to become the star of the show, wowing audiences through
out America, until exposure, disaster and – perhaps – some kind of moral reawak
ening takes place. Whatever his genuine beliefs, the fame and success that he
enjoys in his role of travelling preacher man takes precedence over his purported
message and the good of whatever followers his proselytising manages to attract.
Never has charisma been so seductive – or so tawdry.
If there is any redemption for Gantry, it is only partial. For at least one
follower, Sharon Falconer, it is too late. Devoted to the beliefs that she at least
articulated with complete sincerity, she perishes in a fi re, unable to face the truth
of Gantry’s betrayal. Nothing is as it seems. In this fi lm, sincerity may be real but
it is attached to dubious beliefs; inspiring rhetoric camoufl ages malign intent;
love is a tool of manipulation; high ideals are a ploy to win people’s hearts, all
the better to purloin their wallets. The more charismatic and impressive a speaker
may be, the wider is the chasm between him or her and the authentic interests of
their followers.